Alexa Alice Joubin

."Finding Joy in Artificial Experience," Sociological Forum 41.2 (June 2026): 158-160.

.“Thinking Outside the Fridge: Specters of Artificial Experience,” Daedalus, open-access journal of the American Academy of Arts & Sciences, Fall 2026.

·  "Transness as radical hospitality in academia: Field notes from an interloper," in Women, 'Failure' and Academia: Activism, Creativity and Critique in the Contemporary University, ed. Marina Cano and Rosa García-Periago (Bloomsbury, 2026), pp. 173-190.

·  “The epistemologies of trust: Conflicting worldviews in the Trustworthy AI discourse," AI and Ethics 6.260 (2026). Co-authored with David A. Broniatowski, Zoe Szajnfarber, Susan Ariel Aaronson, and Ayah Zirikly. Joubin is the second author.

·  “Shakespeare and Trans Studies,” Oxford Research Encyclopedia of Literature, ed. Sonya Loftis (Oxford University Press, 2026), 1-18.

·  "Are we post-colonial yet? Shakespeare and the ‘post’colonies," in Shakespeare in the ‘Post’Colonies: Legacies, Cultures and Social Justice, ed. Amrita Dhar and Amrita Sen (Arden Bloomsbury, 2025), pp. 205-218.

·  "Specters of Hamlet and AI as RenAIssance Technology," The Folger Spotlight, May 6, 2025

·  “Screening Authorship, Performativity, and Transness,” The Oxford Handbook of Shakespeare and Early Modern Authorship, ed. Rory Loughnane and Will Sharpe (Oxford UP, 2025), pp. 793-812.

·  “Gender and sexuality: The State of the Field,” Shakespeare Survey 77 (2024): 270-280.

·  "Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education." In General Aspects of Applying Generative AI in Higher Education: Opportunities and Challenges, ed. Mohamed Lahby, Yassine Maleh, Antonio Bucchiarone, Satu Elisa Schaeffer (Springer Nature, 2024), pp. 207-220

·  “Race and Trans Studies at the Crossroad: From Racialized Invisibility to Legibility,” The Oxford Handbook of Shakespeare and Race, ed. Patricia Akhimie (Oxford University Press, 2024), 195-210.

·  “How AI Changes Shakespearean Theatrical Publics,” Shakespeare Bulletin 41.4 (2024): 529–553.

·  “Performativity and Trans Literature,” Routledge Handbook of Trans Literature, ed. Douglas A. Vakoch and Sabine Sharp (Routledge, 2024), 29-39.

·  “Trans as Method: The Sociality of Gender and Shakespeare,” Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 14.2 (2023), open-access, borrowers-ojs-azsu.tdl.org/

·  “Shakespearean Performance through a Trans Lens,” Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 14.2 (2023), open-access, borrowers-ojs-azsu.tdl.org/

·  “Collaborative Rhizomatic Learning and Global Shakespeares,” Reimagining Shakespeare Education, ed. Claire Hansen, Jackie Manuel, Liam E. Semler (Cambridge University Press, 2023), 225-238.

·   “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface, ed. Paul Budra and Clifford Werier (Routledge, 2023), 332-344.

·  “Local Habitations of A Midsummer Night’s Dream,” Shakespeare Bulletin 40.3 (2022): 417-437

·  "Shakespeare as a Digital Nomad: An Afterword," Digital Shakespeares from the Global South, ed. Amrita Sen (Palgrave, 2022), pp. 93-104.

·  “Screening Anti-Asian Racism: Gendered and Racialized Discourses in Film and Television,” Prism: Theory and Modern Chinese Literature 19.1 (March 2022).

·  “Uncomfortable Bedfellows: Shakespeare and Global Studies,” Actes des congrès de la Société française Shakespeare 40 (2022), doi.org/10.4000/shakespeare.7040

·  “Performing Reparative Transgender Identities from Stage Beauty to The King and the Clown,” in Trans Historical: Gender Plurality before the Modern, ed. Greta LaFleur, Masha Raskolnikov, and Anna Klosowska (Cornell University Press, 2021), 322–349.

·  With Lisa Starks, “Teaching Global Shakespeare Adaptations in Times of Hate,” Shakespeare Survey 74 (Cambridge University Press, 2021): 15–29. Featured open-access article of the year.

·  “Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability,” Adaptation 14.2 (August 2021): 187–205 (Oxford University Press); DOI: 10.1093/adaptation/apaa031.

·  “Global Mediation: Performing Shakespeare in the Age of Networked and Digital Cultures after COVID-19,” in The Arden Research Handbook of Shakespeare and Contemporary Performance, ed. Peter Kirwan and Kathryn Prince (London: Bloomsbury, 2021), 132–150.

· “Can the Biopic Subjects Speak? Disembodied Voices in The King’s Speech and The Theory of Everything,” in A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley–Blackwell, 2020), 269–282.

·  “Global Studies,” in The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2020), 247–261.

·  “Global Shakespeare Criticism beyond the Nation State,” in The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford University Press, 2017), 423–440.

·  “Boomerang Shakespeare: Foreign Shakespeare in Britain,” in The Cambridge Guide to the Worlds of Shakespeare, Vol. 2: The World’s Shakespeare, 1660–Present, ed. Bruce Smith (Cambridge University Press, 2016), 1094–1101.

·  “Global Diasporas as Reflected in the Work of Ong Keng Sen,” in The Cambridge Guide to the Worlds of Shakespeare, Vol. 2: The World’s Shakespeare, 1660–Present, ed. Bruce Smith (Cambridge: Cambridge University Press, 2016), 1212–1219.

·  “Global Shakespeare 2.0 and the Task of the Performance Archive,” Shakespeare Survey 64 (2011): 38–51.